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    Disney characters mask the misery of working class life, say academics(2)

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    2016-02-24 15:13China Daily Editor: Yao Lan

    分析顯示,一般情況下,片中的主角都很富有,大多數(shù)屬于上層或中上層階級.這樣的情況下,窮人角色就少了.

    The depictions of working-class people are also unrealistic, the researchers said, as nearly all 'perceive their jobs as invigorating, fun'. In Mary Poppins, Bert sings that 'as a sweep you're as lucky as can be'.

    研究者表示,影片對工人階級的描繪也不盡寫實(shí),因?yàn)閹缀跛泄と硕加X得自己的工作十分有趣、讓人精神舒暢.在《歡樂滿人間》中,伯特唱道:"成為掃煙囪者是多么幸運(yùn)!"

    The study says: 'Bert, like other characters, frames working-class jobs as devoid of difficulties.'

    研究人員說道:"正如其他角色一樣,伯特覺得工人階級的工作無憂無慮."

    Many children's films, it adds, 'suggest that social class inequality is benign, as those at the bottom of the class ladder suffer little, lead relatively stable lives, and experience many advantages'.

    "很多兒童電影把社會階級不公的現(xiàn)象柔和化,在電影中社會底層的人沒有苦難,生活安定,好處多多."

    Unlike in real life, upper-class lifestyles are often the ones depicted as under more threat.

    還有與現(xiàn)實(shí)生活截然不同的是,影片中上層社會人的生活常常充滿危險與恐嚇.

    Disney's Aladdin is taken to task because of a scene in which Princess Jasmine and the impoverished title character compare their different backgrounds and conclude they both have hard lives.

    迪士尼的《阿拉丁神燈》還有一個場景備受指責(zé):賈斯明王子和窮苦的阿拉丁的社會背景明明天差地別,最后他們居然得出結(jié)論:兩人的生活都很艱難.

    Working-class lives in children's movies are often portrayed as so fun and cosy that rich people will voluntarily go down the class ladder to join them, the researchers say. Poor people are portrayed as happier too – in The Sound Of Music, humble former nun Maria teaches her upper class employer how to love his children.

    研究人員指出,在兒童電影中,工人階級的生活常常被描繪得舒適而充滿樂趣,甚至連富人都會自降身份加入窮人的隊(duì)伍.窮人也顯得快樂萬分:在電影《音樂之聲》中,曾做過修女的瑪利亞身份卑微,但她居然會去教身份高貴的雇主如何愛自己的孩子.

    The study concludes that, overall, children's films make poverty and class distinctions seem like a case of the lower orders getting their 'just deserts'. It says the films make class divisions seem 'legitimate by erasing, downplaying, and sanitising their effects – by portraying poverty and inequality as benign'.

    研究結(jié)論是,總體來說,兒童電影對貧困和階級差別的演繹就像是下層人都得到了應(yīng)有的待遇.電影將階級劃分合理化,它們抹去了階級分化的影響,將其輕描淡寫地表現(xiàn).貧富和階級矛盾不再尖銳.

    It adds that this 'erases, downplays or sanitises poverty and class inequality, implying that poverty and inequality are not particularly problematic as few people suffer from them'.

    這樣的演繹還暗示著貧困和不平等根本不是問題——因?yàn)閹缀鯖]人因此受苦.

    英文來源:每日郵報

      

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