Eric Lefebvre, curator, talks about the Song of Spring: Pan Yu-Lin in Paris exhibition at the Chantal Miller Gallery, Asia Society Hong Kong Center, Sept. 11, 2018. Born of humble origins, Pan (1895- 1977) became one of the first Chinese students to study fine arts in France. With over sixty works of portraiture, nude, landscape, dance figure painting, and sculpture, this exhibition explores Pan’s second period in Paris, highlighting her artistic range and distinguished style that combines eastern and western sensibilities, according to the organizer. (Photo: China News Service/Zhang Wei)
Joyce Hei-ting Wong, assistant curator, talks about the Song of Spring: Pan Yu-Lin in Paris exhibition at the Chantal Miller Gallery, Asia Society Hong Kong Center, Sept. 11, 2018. Born of humble origins, Pan (1895- 1977) became one of the first Chinese students to study fine arts in France. With over sixty works of portraiture, nude, landscape, dance figure painting, and sculpture, this exhibition explores Pan’s second period in Paris, highlighting her artistic range and distinguished style that combines eastern and western sensibilities, according to the organizer. (Photo: China News Service/Zhang Wei)
Eric Lefebvre, curator, talks about the Song of Spring: Pan Yu-Lin in Paris exhibition at the Chantal Miller Gallery, Asia Society Hong Kong Center, Sept. 11, 2018. Born of humble origins, Pan (1895- 1977) became one of the first Chinese students to study fine arts in France. With over sixty works of portraiture, nude, landscape, dance figure painting, and sculpture, this exhibition explores Pan’s second period in Paris, highlighting her artistic range and distinguished style that combines eastern and western sensibilities, according to the organizer. (Photo: China News Service/Zhang Wei)
A view of the Song of Spring: Pan Yu-Lin in Paris exhibition at the Chantal Miller Gallery, Asia Society Hong Kong Center, Sept. 11, 2018. Born of humble origins, Pan (1895- 1977) became one of the first Chinese students to study fine arts in France. With over sixty works of portraiture, nude, landscape, dance figure painting, and sculpture, this exhibition explores Pan’s second period in Paris, highlighting her artistic range and distinguished style that combines eastern and western sensibilities, according to the organizer. (Photo: China News Service/Zhang Wei)
