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    Entertainment

    Online retailers major contributors to China's booming box office

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    2015-07-21 14:51chinadaily.com.cn Editor: Si Huan

    China's total box office sales surpassed 400 million yuan (about $64.4 million) on July 18, a record for a single day, according to data released from the China's media watchdog State Administration of Press, Publication, Radio, Film and Television.

    The films Monster Hunt, Jian Bing Man and Monkey King: Hero is Back contributed to 89.89% in ticket sales, which totaled 434 million yuan from 9.6 million viewers on July 18, surpassing the previous record of 383 million yuan held by Fast and Furious 7 on its opening day on April 12.

    Aside from the rise in quality of domestic films and the volume of student audiences on summer vacation flowing into the theaters, one of the major contributors to the box office came from third-party ticket sales.

    Online retailers and subsidies

    It is not difficult to locate "automated ticket machines" in theaters nationwide, including those from WeChat, Taobao, Baidu Nuomi, Maoyan, etc. Consumers can purchase discounted tickets at a price much lower than the commercial price (usually ranging from 50 to 120 yuan) through apps of these retailers beforehand and print the tickets at the theaters. Some retailers are also providing subsidies to the theaters and offering a package of ticket and a snack for only 10 yuan. For films such as Jian Bing Man and Monster Hunt, smartphone app Taobao Film is subsidizing 22 yuan to theaters for the lowest ticket price offered at 32 yuan (which includes 1 yuan for system operation and 1 yuan for printing tickets).

    Furthermore, many films offer previews prior to their nationwide openings at theaters, and online retailers are often the ones who sell tickets for these previews. Film Monster Hunt offered previews at 717 theaters. Contractor Meituan Maoyan sold the tickets online, and contributed to more than 68% of the 5.02 million yuan revenue from ticket sales.

    According to data released from Ent Group, a databank that tracks the performance of China's film and television industry, ticket sales from third-party sources amounted to 9.2 billion yuan in the first half of 2015, counting up to 45.2% of the total nationally.

    "Going to films is one of the most accepted mode of consumption by young viewers. With the subsidies, the real motive of the online retailers is to expand the volume of installations of their apps in the smartphones of this group of viewers," said an insider source.

    Rising film quality

    "We are in the middle of summer vacation. The films were good and the data was taken on a weekend, so it's not hard to imagine a sharp rise in sales," said box office expert Liu Jia.

    "Sales will drop after the summer vacation ends. If the films are not to par, sales will also fall. Viewers will only pay for what they like. The rule that applies in all market economy also goes for films," added Liu.

    Most domestic films that are playing currently in theaters have received positive feedbacks from reviewers and audiences alike.

    "Aside from technology, a good film must attract audiences with its storyline. Monster Hunt and Monkey King: Hero is Back have both told good stories," writes Douba Du Heng, a viewer in Chengdu.

    Younger viewership

    He Tianjiao, an expert in the film industry, said record breaking ticket sales came from the accelerated growth of China's films in recent years.

    First, the number of screens in China surpassed 26,000 in China in the first half of 2015, which laid a solid foundation for film production and screening. Second, film marketing has diversified and online retailers are adding the extra kick to boost ticket sales.

    Ticket sales from younger viewers are increasing drastically. Young viewers who saw films more than 12 times a year made up 18% of the total number of viewers, and contributed to about 46% of ticket sales. In response, marketing strategies, such as purchasing tickets online or through smartphone apps, have adjusted accordingly to suit the lifestyles of younger audiences.

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