Fun or bias? American TV series and China humor (2)

Mahjong, Pai gow, ghost marriage and other ancient or corrupt China traditions from time to time will appear in American TV series or films. In "Bones" (Fox), there was a plot describing a Chinese-American dies without ever having married, so his family kill a girl to accompany him in the after-life and bury them together as a "ghost marriage," indicating China's superstitious beliefs.

There are many low-class Chinese characters that appear on American TV series as workers, waiters, maids or even as slaves and illegal immigrants. In "Grey's Anatomy" (ABC), one illegal female Chinese immigrant and her daughter are injured, but refuse to come into hospital.

Besides the lower-level characters, more and more Chinese elites also get a cameo on American TV series. Yet for Americans, Chinese people's desire for success is simply one step too far and sometimes those Chinese elites will appear to employ rather strange strategies to achieve just that. In "Friends" (NBC), Chandler's boss has a habit of slapping others' butts. While Chandler dislikes it, his Chinese colleague caters for his boss' habit.

In American TV series and movies, no matter if it's from earlier hit series like "Friends," "Lost," "Sex and the City," and "Prison Break," to current "The Big Bang Theory," "Elementary" and "Nikita," as well as movies like "The Wolverine" and the "Fast & Furious" series, Chinese and Asian people are often portrayed and labeled in unpleasant ways such as being rude, lazy and opportunistic with small eyes, a flat face and single eyelids. Other minority races in American TV series and movies are also the target of, sometimes even racist, mockery. Drug dealers are usually Mexicans and Russians are usually mobs and pimps. In "2 Broke Girls," South Korean restaurant boss Han Lee is a short man and gets mocked in many episodes for his stature and sexual ability.

This type of mockery is widely recognizable in American TV series. Aside from Asians, other races and nations, including the U.S. itself, get mocked – right down to their presidents.

It's a matter of cultural difference. It is known in the industry that a cultural clash is a good way to get audiences laughing and American producers want to please their own domestic viewers. It's okay to have fun, but should it always be at the constant and unfair expense of other races? If filmmakers cross a certain line, while the foreign communities don't understand the humor and culture and hence take it seriously, there most certainly is a problem.